✍️✍️✍️ Suspension Of Disbelief

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Suspension Of Disbelief



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Suspension of Disbelief

Almost 2 hours of "conversation drama" I'm calling it. I suppose this could work if the conversation was interesting. Perhaps witty and funny. Alas, no. This is a movie, I believe, that is best watched in "15 minute dosages" like a serial soap opera. More than that and you may periodically have to check your heart to see if it's still beating. Yes, dull. Very dull. The "twist" of this movie that's supposed to make it innovative and interesting, I guess, is that the plot, as I described it above, is also something the writer has written. So his fictional story is actually happening with him in it. Who knows, who cares.

Love, Boloxxxi. Figgis fans will recognize many delightful Figgis narrative and cinematographic tropes, but sorely lacking is any narrative lure, any reason to keep watching. The film has ellipsis and mystery, but does not reward the viewer for countenancing those. At times the story elaboration is positively dreary. Even this film's meta-film leitmotif cannot salvage it. The film struggles with a paucity of narrative richness, and is devoid of the incandescent impending gleam so often to be found in Figgis's other films, most of which are marvelous. This flop is the exception that proves the rule that Figgis is Britain's best auteur.

I liked it pretty well. You have to put yourself in mind that what you are watching is a sort of film noir, with a beat score In this movie, director Figgis may be working out some of the themes he runs into in his everyday cinematic life. But what seems most to be going on is an exploration of the possibilities in each of us. The movie is rather existential, which perhaps fits with the beat mantra, the era from which, born in , the director himself sprang.

Realize that you are watching an art film, but one that makes a little more sense than David Lynch's Mulholland Drive or some of Terence Malick's self-conscious work. I found the ending a bit silly, and I began to expect a different denouement, one that would have been darker, perhaps with a twist. But the movie doesn't really leave you hanging to work out your own ending quite as much as so many modern movies do, and which the main character, a screenwriter and part-time screen writing teacher, says is okay because "life doesn't have a pat ending," to paraphrase.

The ending even had a little of the Casablanca about it This movie probably won't go down in the pantheon of greats like Casablanca, but it was a nice effort; sort of an indulgent one, as the attitude the screenwriter takes toward the up-and-coming generation seems to be. But the screenwriter hasn't lost his touch, may even be more attuned than those coming up behind. Plus, Sebastian Koch is pretty nice to look at. I will confess that I don't normally watch independent movies and have no idea about the director's previous work. I wasn't expecting much. The shots, lighting and environment were pretty good, the editing was good too.

Considering the limited budget and that they made this movie in 22 days I think the movie is pretty good. But having said that if I judge this movie neutrally I would say it's an average plus. The plot resolves around a death of a pretty and lost? The whole plot resolves around this and sometimes becomes too boring and lagging. The director has tried hard to make this like an art movie but sometimes the artistic expressions don't make any sense. There is some nudity and sex in the movie but they are neither erotic, not do their presence contribute to the movie in any way so I don't see the point of having those.

It feels like they just wanted some skin in the movie. Still the movie is enjoyable. The major complain I have about this movie is that it does not give you a satisfactory ending or a proper ending with answers. I really dislike open ended movies that leave the conclusion to the viewers and if you are like me you will not like the ending too. Jdidalot 15 September Yes that director! Not all his movies are "Hollywood" type like Leaving Las Vegas and it takes an acquired taste and thinking outside the box to appreciate some of his work. Suspension of Disbelief is one that's not for the people who like straight forward movie. It's a story of a man who writes movie scenarios and happens to write one that involves us with this movie "Participation Mystique" because he is writing the scenario for the movie we are watching and Mr.

Mike Figgis does an excellent job with this concept. The story takes us to different parts of this man's life, such as the world of his daughter who, within this movie, is a starting actress in another movie; the fact that there is a death murder or accident? This movie takes you in different directions and still revolves around the same characters. I personally enjoyed it because it's really close to what life is all about: A lot of things are happening at the same time and you don't know which one is the most important until you think about your personal life and understand that all of them are important.

Your day to day life is not just a story within the same theme. After all, you are the story of your life! If you expect a packaged ending to this movie, you will be disappointed but if you understand that you are the continuity to this film and understand that you, through your thinking, are supposed to draw your own conclusions for an ending, it will leave you interested even when the movie is over. I will normally sit and watch a picture that may have a director attempting a novel treatment.

I can usually interpret what is going on - I do watch silent pictures. In this picture I vainly tried to work out what was going on, who was what and where was whom. All to no avail. In the end I gave up after about half an hour - I was becoming bored and restless. I do wish that some people making pictures would realise that their audiences go to pictures to be entertained and pay good money for this. They are sometimes perceived as tight asses, but in reality, they just prefer to keep their unrealistic games silly and stupid. Sometimes, fan boys will take their suspension of disbelief too far and proclaim blatantly unrealistic things to be realistic in an effort to validate the game against 'invaders' who simply assert the truth.

Examples: Live Free Die Hard - Stunts are too extreme for average cop, certainly a good movie, but the theme could have been portrayed in a much better way if done more realistically. Resident Evil 4 : Ability to dodge lasers, but not clumsy villagers. Headshots do not decapitate or kill, but neck breaks kill. Metal masks deflect bullets. Story of 'alien virus' does not nearly reconcile with these shortfalls and main character is unable to walk and shoot at the same time despite having supposed secret agent type reflexes. Halo: Using assault rifles, pistols, and Jeeps in ad despite extreme advances in space travel.

Highways, buildings, and tech that look identical to C. Missiles that can tear apart advanced alien buildings. Starcraft is fun as an RTS, but it is simply difficult for some to get involved in the story because of these shortfalls in realism. Halo and Resident Evil 4 are fun shoot em up games with the former having a more realistic damage scale, but both try to be too serious for the lack of realism. However, with suspension of disbelief, most people are okay with all of this. Suspension of disbelief. The last season of Game of Thrones.

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